At Cross Studios Milano, where concrete floors meet exposed brick and iron beams stretch overhead, Beatrice brought an effortless contrast—refined yet raw, delicate yet bold. In the first look, she wore a crisp white button-down and black stockings, an understated boudoir aesthetic that felt as effortless as it was striking. The oversized shirt draped loosely, catching the light as she commanded attention. Her piercing blue eyes were magnetic, drawing warmth into the stark surroundings. Every movement—subtle shifts in posture, a glance toward the lens—was natural, unforced. The textures around her, rough and industrial, only amplified the softness she carried.
Then, she changed into a black lace slip. The intimacy became more refined, more intentional. The delicate lace traced against her skin, sheer and shadowed, a perfect contrast to the steel and concrete that framed her. She let the space work for her, leaning into the contrast of strength and softness.
This gallery isn’t just about boudoir. It’s about balance, presence, and the way true confidence doesn’t need embellishment.
(This day was also the first time I used my Leica M11 in a professional setting. I love it!)
— Norman Allen
Leica M11 and the Summicron-M 1:2/35 ASPH lens | ISO 64 | 1/60 s | f/5.6
